Pushing for faster refresh rates may mean reducing PWM bit depth, whilst increasing maximum brightness may compromise low brightness performance. Normally, when FAEs work with panel manufacturers to create a panel configuration, certain trade-offs must be made between different aspects of visual performance.
R2+ is backwards-compatible with all existing R2-based panel designs, but brings additional data pins and capability to support new LED drivers, ensuring continued support for more panel types and keeping Brompton Technology at the cutting edge for new panel designs. The new Tessera R2+ receiver card has the same SO-DIMM form-factor as the R2, which has set the standard for receiver cards for many years. Finally, in collaboration with Mo-Sys, Brompton has added support for the company’s StarTracker camera tracking system when using panels fitted with the Tessera R2 or Brompton’s new Tessera R2+ and an SX40 or S8 processor with Frame Remapping. Additionally, the Tessera SX40 and S8 now have a preset to support the ACES AP1 colour space, as used by ACEScg. New features include Operating Modes, and Per-Batch PureTone.
#BROMPTON TESSERA SOFTWARE#
Through a combination of high-resolution LED screens, video games engines, camera tracking technology and media servers, 80six’s studios give clients premier access to the newest virtual production technologies and resources.UK - LED video processing products manufacturer, Brompton Technology, has announced its latest Tessera v3.3 software features, bringing new possibilities that optimise the performance of LED panels to further streamline professional workflows. This gives filmmakers the flexibility to edit in post-production.” As a filmmaker, this means you are no longer limited to a particular shot you can effectively have two scenes running at the same time, or a green screen frame as the second scene that you can then use for keying. “Brompton’s Frame Remapping is another interesting concept we are looking forward to exploring as it means you can now have multiple cameras shooting the same physical screen, but with different layers of content represented on each individual frame for each camera. The benefits of virtual production are undeniable and companies like Brompton are constantly developing new software features that open up even more possibilities.
#BROMPTON TESSERA TV#
“Brompton’s 3.1 software high frame rate capabilities allow for smooth, fast play-back of content, which is particularly useful for slow-motion for film, TV and esports. “We can now confidently advise our clients as to the benefits and limitations they can expect when shooting in-camera VFX or when using LED video panels as light sources. “Throughout the last couple of years, we have carried out various tests that have given us a solid understanding of the principles of VP,” said says Jack James, director at 80six. The company has spent the last 20 months carrying out extensive R&D with LED and cameras for film and TV productions with trusted partners such as Epic Games, Dimension Studio, DNEG & OSF.
The ROE screens run on Brompton Tessera SX40 4K Version 3.1 LED processors.Ĩ0six has been at the leading edge of building and implementing xR stages and has now directed its attention to live LED in-camera virtual production, which uses similar technologies. Leading video technology company, 80six, recently opened the doors to the new studio, with approximately 335m 2 dedicated to the Virtual Production Stage which includes an 18m x 4.5m high-resolution LED volume, built with award-winning ROE Visual Diamond DM 2.6mm for the rear wall and ROE Carbon 5.7mm for the LED ceiling, along with movable lighting dollies. Brompton Technology products have contributed to a new virtual production studio in Slough, UK, which boasts preconfigured curved LED as part of a Virtual Production Stage, ideal for shooting in-camera VFX.
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